Bill Leak (1956-2017) – ‘waking up with a roaring fatwa’

Publications exposing US war crimes in Vietnam were also banned under the Obscene Publications Act. At high school, I unlawfully distributed the banned pamphlet, ‘US atrocities in Vietnam’ (I think it was called that, from memory).

The attempt at state intimidation and censorship that Bill Leak experienced, and fought, was undertaken via ‘human rights’ legislation: the Racial Discrimination Act. Go figure. And see the Appendix below for Bill’s email of 30-10-16 as to why and how the cartoon sought to support Indigenous people in remote communities and was not racist.

Every society has a dominant sense of what is right and wrong, what is fair comment and what is going too far, but the real question concerns the parameters as set down by the state, by official censorship.

That action could be taken against a cartoonist in the C21st by an arm of the state – and let’s not be coy about it, that’s what the Human Rights Commission is – showed that the parameters are way too broad and censorious. Even the Greens Senator, Nick McKim, stated on national television that he felt Bill’s controversial ‘Dear old dad’ cartoon was exempt under Section 18D of the Racial Discrimination Act (which basically exempts on the grounds of ‘fair comment’).

‘Dear old dad’ cartoon…

Bill tapped into a mood of resentment on the part of many people who grew sick and tired of being smugly admonished by their finger-prodding ‘betters’ in the Establishment that they should not do this or that, or think ‘like that’. This is not to suggest that those feeling resentment are always right, they are not, but the culture of Political Correctness has made nuance almost impossible. You either toe the line entirely or you are racist and any variety of ‘phobe’. There is little room in this culture for debate, for the open clash of conflicting ideas. In this context, ‘Being offended’ has become an argument – a case for opposition to something – rather than just a subjective feeling.

Punching up… at the cultural establishment

Those who accused Bill of ‘punching down’ have it upside down. His cartoons in the main were actually punching up, challenging those at the top, the decision-makers, those with great and sometimes dominant influence in the media, the senior bureaucracy, bourgeois academia, the ‘aristocracy of labour’ (or ‘union bosses’ as we described them in the communist party) and mainstream politicians of all stripes who, in general, prefer to deny or obfuscate life-threatening problems and restrict civil liberties. It takes a weird sense of victimhood – a denial of human agency – to see it the other way ‘round.

No other mainstream cartoonist so incisively mocked the Green quasi-religion. His ‘Christine Milne’ sitting self-righteously with the fairies at the bottom of the garden, in vivid unreal technicolour, was among my favourites.

Green fairies at the bottom of the garden…